Walking into Holli’s beautiful Beverly Hills home is like walking onto the set of one of those perfect homes you see in magazines like Home and Garden, which showcases beautifully decorated abodes. It was light and elegant, with her equally elegant pastel-like paintings throughout. Her home is how she describes her art, “my art is Hallmark; it’s like comfort art”…Currently based in Beverly Hills, she also lived in Manhattan for many years and divides her time between the coasts. One of her talented daughters is Hannah Rose of the New York band, “Luna Rose.” Music and artistic talents run in the family…
M.E. “Were your parents artists?”
H.M. “My mom passed away a couple years ago and she was my greatest inspiration. She was the reason I became an artist-literally-painting, singing…she had beautiful voice. She put me into private lessons and that was it for me. My dad was an amazing self taught photographer, and he worked for the L.A. Times, and some of the really cool photos that you see-he did; like the old Jane Mansfield photo with Sophia Loren; he also started his own newspaper….My parents were super talented in different ways; I was the one that really took it and ran with it. When I had my kids, Hannah and Abby, they were surrounded by it. When I was first pregnant with Hannah, I was singing full time; studio, film; television and painting on a scaffold 20 feet high while pregnant; so that’s all they ever saw their mom do. I was singing here in L.A. at all the clubs; the Whiskey, Madame Hopsings; some that aren’t even here anymore. I was born and raised in Los Angeles, but lived in New York a long time”.
M.E. “What are the pros and cons of being an artist in New York and in Los Angeles?”
H.M. “Manhattan is so accessible-Los Angeles you have to be in a car and I hate that. The club scene isn’t as cool in L.A. as it is in N.Y.; all the young and up and coming bands; the indie rock groups like my daughters band Luna Rose; they’re just killing it out there in lower Manhattan; there’s so much more accessibility; Here in L.A.-20-25 years ago; it used to be amazing. Places closed down; the House of Blues-that’s crazy to me; so my thought in moving back to L.A. after being in N.Y. was that I could get a clean slate after a divorce, and I had art contacts here, and my daughter Abby, for acting; I thought this would be a good place. I lucked out-I found a studio in Culver City-this guy David Sigman who is an amazing artist-sculpture artist; I found a cool little vibe over in Culver City and now he’s taking the studio that I’ve been in and renovating it now; but it’s happening here; a real cool area"…
M.E. “How would you describe your painting style?”
H.M. “My art is Hallmark art-it’s like comfort art, but I also love vibrant color; it’s all internal; the art always has something to do with what is going on in my life. You can see in this impressionistic painting of Manhattan; this was me missing Manhattan; that was a day I was so sad…and here you see the Lighthouse-that has everything to do with me and my girls and home base…I was trained by some really amazing classical artists and plein air artists-and I used to live in Carmel. In Carmel it was all little small landscape type paintings and that was too tight for me; so what’s ironic, is that I got back into a gallery in Carmel with an abstract piece; now I’m a lot more abstract then I used to be. These pieces are about balance-I was just really in a zone when I started painting those, and I wanted them to be calming-it was really important to me-I really seek art balance like that. I’m a true Libran quintessential artist I guess! I love Juan Claude Basquiat. So this new piece I’m working on; I’m starting the process of graffiti like art-it’s a start-a funky idea. This is totally different; my Indian Corn. I did a show in Southern Utah and I did all South Western art. I have Cherokee Indian blood in me; so I love the whole South Western theme….If you say things out loud-the universe listens…it really does. I used to say “I’m gonna live in Carmel one day-I will be in New York one day”…and I did it; and you kind of don’t believe it-but it really does happen."
H.M. “I started singing when I was in second or third grade, and then got the bug when someone saw me. I started when I was in high school when I was thirteen. I had my first band called Rock Candy-we played everything-Southern Rock, Fleetwood Mac…and that was the bug-and someone saw me perform and then I got my first radio station jingle when I was thirteen. I was so excited. I knew I wanted to do that for the rest of my life”…. At thirteen, it was all rock when I started to write songs; Stevie Nick was my idol and Janis Joplin, and all the rock chics-Tina Turner…and then, later, I learned jazz. Jazz is so intimidating, but I could hear it. I think from having the experience as a studio singer and doing lots of different styles. I didn’t perform jazz until my late 20’s and then when I moved to New York, there were a lot of jazz clubs. Here, I still perform with the jazz people that I met in my 20’s-great people like Tom Zinc and Melvin Davis who played with Chaka Khan and Anita Baker. When I came back here to Los Angeles, I got together with these really seasoned jazz guys; John Mayer, Chris Conner; these guys are giants.”
M.E. “Do you have any thoughts or feelings about being in the music industry and age?”
H.M. “To me, it just enhances us and makes us more beautiful from the inside out. I have some amazing artists friends that are so beautiful; like to the core beautiful and I honestly think that if we can keep it going and not stress out over the crap-the stresses of life and finances…it’s not always consistent being an artist; but the key is that you gotta do what you love, no matter what age-I could not do it any differently-people say to me, “I don’t know how you do it Holli, you always land on your feet-you keep it going”, but it's because I’m an artist. If you stop-you’re dead. You have to juggle a lot of things…..I do stuff on the side sometimes like catering; because cooking is my third passion. This is a funny story and is so L.A.-I got a call to cater a dinner for a medium, so I thought, “this will be fun”-and then she said, “It’s a dinner for Estelle Getty, Marilyn Monroe and Elizabeth Taylor-they’re all coming.” So I said, “Ok-cool, this is awesome!” So I did a sit down dinner for eight people; full on chicken cordon bleu….my daughter was my assistant and she said, “what are you doing?’ “Just go with it”, I said…I set it all out-and then the witching hour hit, and there was a camera crew and the medium and the friend; we served the food and the door rang and the medium said, “we would like to welcome Marilyn and Elizabeth and Estelle”…..I’ve done some crazy stuff.”
M.E. “What’s your biggest struggle as an artist?”
H.M. “Financial-because when you’ve been doing it as long as I have you’ve got to keep it going, and I’m never gonna quit-but you have to pull that extra income-that’s hard; to do what you want; if I could be a full time singer…that would be it. Honestly, I don’t feel my age…I started out as a singer-songwriter, and I’m going to go out as one.”